Painting was about 2.5 weeks with only Windsor Guest and myself painting, mostly in drying time. The parchment effect on the walls was achieved with pushed oil washes, then drawing the figures and painting them in acrylics, and finally a guarding matte clear coat over everything so that the client could still wash the walls and have a clean house.
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Graphic Murals - Seiryuu vs. Suzaku
I had a mural commission for a full living room. The inspiration piece I was shown was an early 1900s japanese-revival china hutch, black wood with gold inlay and tiny red depictions of people going about their days. The hutch is in the dining room, and the client wanted the living room to be bold, a conversation piece, and tied to that furniture piece somehow. Went with colours and themes - two of the directional kami being the blue dragon, Seiryuu, and the red phoenix, Suzaku, both over a parchment ground with blown gold flakes. I did a few different kinds of dragons and phoenixes, since everyone has different taste on how body shapes and faces look. I was especially excited to put the claw near the light switch like Seiryuu might play with the lights, as well as the lost and found scale coils coming all the way down the stairs.
Painting was about 2.5 weeks with only Windsor Guest and myself painting, mostly in drying time. The parchment effect on the walls was achieved with pushed oil washes, then drawing the figures and painting them in acrylics, and finally a guarding matte clear coat over everything so that the client could still wash the walls and have a clean house.
Painting was about 2.5 weeks with only Windsor Guest and myself painting, mostly in drying time. The parchment effect on the walls was achieved with pushed oil washes, then drawing the figures and painting them in acrylics, and finally a guarding matte clear coat over everything so that the client could still wash the walls and have a clean house.
To this day, Firebird still makes me happy :)
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