All of these were painted in Photoshop over top of the Alchemy silhouettes. The longest part was the base fur painting, which I then cloned across in each case in order to streamline and save production time. Materials and colours were easily swapped out using the alt+click to constrain layers to the mask of the main layer.
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Escape From NIMH II
The paintovers of the chosen silhouettes are through a second pass, meaning they're presentable for sharing here on the blog. There's some tweaking, I think, that could still be done here or there with cast shadows. Critiques are welcome, in the interim before a 3rd pass, while I shift into environment thumbnails.
All of these were painted in Photoshop over top of the Alchemy silhouettes. The longest part was the base fur painting, which I then cloned across in each case in order to streamline and save production time. Materials and colours were easily swapped out using the alt+click to constrain layers to the mask of the main layer.
All of these were painted in Photoshop over top of the Alchemy silhouettes. The longest part was the base fur painting, which I then cloned across in each case in order to streamline and save production time. Materials and colours were easily swapped out using the alt+click to constrain layers to the mask of the main layer.
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